6. Script. Try
to make it as strong as it can be. Get the advice of friends
who could give constructive advice. Decide who will be the
audience of your film. Is it easy enough to understand? Is
there anything that obstructs your message?
Just a word on length - a
typed page of script equals about a minute of film time as
a general rule of thumb. That won’t always
work if there’s a lot of action happening on the page
or if it’s particularly heavy on dialogue, but as a
general rule it’s not too bad.
7. Framing
and camera usage. Generally speaking, you don’t
want to give too much head room in the shot, that is, the
space between your actor and the top of the frame. Likewise
you don’t want to squash your actor into the edge of
the frame. Give more space to the direction your actor is
looking and the edge of the frame, so he or she has got some “breathing
room”.
Also, when filming two people talking
to each other, if they’re facing each other, make sure
they are facing the opposite way to each other in their respective
shots, not facing the same way. These are just some basic general
rules, and you should feel free to ignore them if you think
it helps you achieve what you’re after. I would also
recommend avoiding hand held camera work, and stick the camera
on a tripod. But do not lock off your tripod when filming,
so that you are able to respond to the actors when they move.
8. Scheduling will
be your most important thing to be aware of during production.
Have you set enough time aside to film each scene? If you run
over time, where can you pick up the shots later or what things
can you cut to get back on schedule? On a major film you have
assistant directors who oversee the majority of this task,
but you probably won’t, so be prepared.
9. Editing capabilities
and limitations. If you do not have software that
allows you to do a lot with the sound, then you need to make
sure you get a clear sound recording during filming. Also
be careful not to bury dialogue under a soundtrack, or have
a soundtrack which is too loud. You want your audience to
be able to clearly understand what’s going on and enjoy
the experience.
10. Let it go. Finally,
be prepared to let go of your “babies”. If a shot
or scene is not working, be prepared to let it go so that the
film as a whole does not suffer.
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